įor many projects, the artist works collaboratively with specialists in various fields, among them the architects Thorsteinn and Sebastian Behmann (both of whom have been frequent collaborators, Behmann working on the Kirk Kapital headquarters on Vejle Fjord in Denmark, completed in 2018), author Svend Åge Madsen ( The Blind Pavilion), landscape architect Gunther Vogt ( The Mediated Motion), architecture theorist Cedric Price ( Chaque matin je me sens différent, chaque soir je me sens le même), and architect Kjetil Thorsen (Serpentine Gallery Pavilion, 2007). Thorsteinn's knowledge of geometry and space has been integrated into Olafur's artistic production, often seen in his geometric lamp works as well as his pavilions, tunnels and camera obscura projects. Though the effect is an illusion, the mind has a hard time believing that the structure is not part of a much grander one developing from deep below the surface. The first piece they created called 8900054, was a stainless-steel dome 30 feet (9.1 m) wide and 7 feet (2.1 m) high, designed to be seen as if it were growing from the ground. In 1996, Olafur started working with Einar Thorsteinn, an architect and geometry expert 25 years his senior as well as a former friend of Buckminster Fuller. First located in a three-story former train depot right next door to the Hamburger Bahnhof, the studio moved to a former brewery in Prenzlauer Berg in 2008. Olafur received his degree from the academy in 1995, after having moved in 1993 to Cologne for a year, and then to Berlin, where he has since maintained a studio. In 1990, when he was awarded a travel budget by the Royal Danish Academy, Olafur went to New York where he started working as a studio assistant for artist Christian Eckart in Williamsburg, Brooklyn and reading texts on phenomenology and Gestalt psychology. Olafur studied at the Royal Danish Academy of Fine Arts from 1989 to 1995. With two school friends, he formed a group that called themselves the Harlem Gun Crew and with whom he performed at clubs and dance halls for four years, eventually winning the Scandinavian championship. However, Olafur considered his "break-dancing" during the mid-1980s to be his first artworks. Īt 15, Olafur had his first solo show where he exhibited landscape drawings and gouaches at a small alternative gallery in Denmark. His father, then an artist, moved back to Iceland, where their family spent summers and holidays. He lived with his mother and his stepfather, a stockbroker. His parents had emigrated to Copenhagen from Iceland in 1966, his father to find work as a cook and his mother as a seamstress. ![]() ![]() Olafur Eliasson was born in Copenhagen in 1967 to Elías Hjörleifsson and Ingibjörg Olafsdottir. Life and career Olafur Eliasson speaking about his exhibition The New York City Waterfalls. Olafur was a professor at the Berlin University of the Arts from 2009 to 2014 and has been an adjunct professor at the Alle School of Fine Arts and Design in Addis Ababa since 2014. It is molded into the shape of a toroid, recalling natural forms found from black holes and galaxies to seashells and coils of DNA. ![]() ![]() Like much of his work, the sculpture explores the common ground between art and science. Olafur also created the Breakthrough Prize trophy. Olafur has engaged in a number of public projects, including the intervention Green river, carried out in various cities between 19 the Serpentine Gallery Pavilion 2007, London, a temporary pavilion designed with the Norwegian architect Kjetil Trædal Thorsen and The New York City Waterfalls, commissioned by Public Art Fund in 2008. Olafur represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The Weather Project, which has been described as "a milestone in contemporary art", in the Turbine Hall of Tate Modern, London. In 2014, Olafur and his long-time collaborator – German architect Sebastian Behmann – founded Studio Other Spaces, an office for architecture and art. In 1995, Olafur established Studio Olafur Eliasson in Berlin, a laboratory for spatial research. Olafur Eliasson ( Icelandic: Ólafur Elíasson born 5 February 1967) is an Icelandic–Danish artist known for sculptured and large-scaled installation art employing elemental materials such as light, water, and air temperature to enhance the viewer's experience. The last name is patronymic, not a family name this person is referred to by the given name Olafur.
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