Of course, the panel needs to be resistant to warping from water, thus sealing the surface with one or more coats of acrylic medium (or paint) is helpful. This surface is less affected by the weight of the wet product compared to stretched canvas. The most predictable painting surface for pours is a sealed panel. The skin shrinks and tears apart resulting in unwanted physical textures known as a “craze” ( see Image 1). Dry climates increase the chance of crazes developing – fissures resulting from liquid acrylic products skinning over during initial drying while the underlying liquid paint is still very fresh. Finally, control the temperature and humidity level in the studio as much as possible. Put down fresh poly plastic sheeting on the surface which will protect the surface and help later on by preventing your artwork from becoming glued to the work surface, as pouring products creates puddles and drips that can travel off of the canvas or panel. Even slight angles can cause issues with pours. Next, be sure the table top or floor you are working on is also clean and level. ![]() Take some time to free the immediate workspace, sweeping the floor and wiping down surfaces around the studio. ![]() Acrylic pours are relatively slow drying paint layers and dust can easily become imbedded into the film. One sure way to improve the odds for successful pouring is to start with a clean studio. Studio Preparation Image 1: This tinted GOLDEN Self-Leveling Gel “skin” shows the crazes that developed during the drying process. ![]() However, it is vital to the process to conduct experiments to gain the knowledge of what are the most critical controlling factors which preside over paint pours. While the practice of pouring artist paints is certainly not a new way to apply paint, achieving consistent results can be frustrating and costly.
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